Sunrise at Twistleton Scar - 2 Days 2 Different Results - Yorkshire Dales Landscape Photography

This blog post accompanies my video on composition that was shot on location at Twistleton Scar in the Yorkshire Dales. Below you will find each image I shot that morning (and the previous) along with the technical details on how I shot each image and a little about the edit. If you have not seen the video already you can view it embedded at the bottom of this post or by clicking here. Full details of my kit list and software I use can be found there too.

Click each image to fit to screen.


Canon 6D + Canon 24mm TS-E Mk2 + Canon 1.4 Extender III. Base exposure 1/8 sec @ f/11, ISO 100. Bracketed 3 stops either side. Just over 1 degree of tilt + small amount of shift (cannot remember exactly how much). 05/08/2018 06:06am (sunrise was at 05:29).


For the above image I shot 1 set of exposures with the lens shielded by my hand to block flaring and another set whilst I was stood in the frame. Both sets of brackets were merged to HDR in Lightroom where I did some minor tweaks to get the largest dynamic range out of the file. I then synced both images and took them in to Photoshop. Here I masked myself into the non-flared file, added a little warmth and added the flare back using a filter so I could control where it was within the image. I then finished the file in Lightroom, where I added a little more contrast and cropped to a 5x7. My personal favourite from the shoot.

Canon 6D + Canon 24mm TS-E Mk2 + Canon 1.4 Extender III. No tilt, slight shift down. Base exposure 1/8 sec @ f/18, ISO 100. Bracketed 3 stops either side. 05/08/2018 06:16am.

Shot at f/18 to get the pointed sun star in the tree. All exposures were merged to HDR in Lightroom along with the entirety of the edit. In this was it was just a case of balancing the sky with the foreground - mainly using gradient filters - adding some contrast and a large vignette with the radial filter to focus the attention in the image. This image required very little post production.


Canon 6D + Canon 24mm TS-E Mk2 + Canon 1.4 Extender III. Just over 1 degree of tilt, slight shift down. Base exposure 1/25 sec @ f/18, ISO 100. Bracketed 3 stops either side. 05/08/2018 06.43am.


Again with this image I shot to sets of exposures. For 1 set I blocked the sun with my fingers in the frame to cut down on flaring. Shot at f/18 as I was hoping for another sun star, this didn't work quite as well as the last image. Both sets of images merged to HDR in Lightroom, edited in Lightroom then brought into Photoshop to mask out my fingers from the non-flared shot. This was my second attempt at this composition.


Canon 6D + Canon 24mm TS-E Mk2 + Canon 1.4 Extender III. Just over 1 degree of tilt, slight shift down. Base exposure 1/80 sec @ f/11, ISO 100. Bracketed 3 stops either side. 04/08/2018 06:58am.


This was my first attempt at this composition, taken the morning previous to when the video was shot. This was just a case of waiting and waiting to see if any light would break through the cloud. Lucky for me, a small amount of relatively diffused sunlight broke through for a matter of seconds so I could capture this image. To edit I merged all exposures to HDR in Lightroom and then edited as normal. I then added a little bit of flaring and warmth to the sky in Photoshop to give the image a little more dynamic light/shadow. 

Which do you prefer out of these two attempts? Let me know in the comments down below!

twistleton scar yorkshire dales national park north yorkshire ingleton limestone pavement twisted lone tree at sunrise dark moody clouds landscape.jpg

Thank you for reading and watching. I hope you have enjoyed this content. Please consider subscribing to my YouTube channel along with signing up to my newsletter to keep up to date with my posts. You can also find me on Instagram, Facebook and Twitter.

Gear used:

With Amazon affiliate links - click each item to view on Amazon. I will make a small commission from items purchased through these links which will help support my journey.

Canon 6D
Canon TS-E 24mm f/3.5 II
Canon 1.4 Extender III
Manfrotto 055 3 Section Carbon Fibre Tripod
Manfrotto 410 Junior Geared Head
Manfrotto Off-Road 30L

Adobe Lightroom Classic CC
Adobe Photoshop CC

Best Of Houzz 2018 Winner!

Rob Crawshaw Photo of Leeds
Awarded Best Of Houzz 2018

Rob Crawshaw in Leeds, West Yorkshire, UK on Houzz

Over 40 Million Monthly Unique Users Nominated Best Home Improvement and Design Professionals in the UK and Around the World

Leeds, England, January 30, 2018 – Rob Crawshaw Photo of Leeds has won “Best Of Photography” on Houzz®, the leading platform for home renovation and design. The architectural and interiors photographer was chosen by the more than 40 million monthly unique users that comprise the Houzz community from among more than one million active home building, home improvement and design industry professionals.

The Best Of Houzz is awarded annually in three categories: Design, Customer Service and Photography. Design award winners’ work was the most popular among the more than 40 million monthly users on Houzz. Customer Service honours are based on several factors, including the number and quality of client reviews a professional received in 2017. Architecture and interior design photographers whose images were most popular are recognised with the Photography award. A “Best Of Houzz 2018” badge will appear on winners’ profiles, as a sign of their commitment to excellence. These badges help homeowners identify popular and top-rated home professionals on Houzz.

“We’re so pleased to award Best of Houzz 2018 to this incredible group of talented and customer-focused professionals, including Rob Crawshaw Photo,” said Marcus Hartwall, Managing Director of Houzz UK and Ireland. “It is more important than ever for home design and construction professionals to hire professional photographers to make their work stand out, and tell a story about the kind of work they do to our community of homeowners, design enthusiasts and home building, home improvement and design professionals.”

Follow Rob Crawshaw Photo on Houzz here.

About Houzz

Houzz is the leading platform for home renovation and design, providing people with everything they need to improve their homes from start to finish – online or from a mobile device. From decorating a small room to building a custom home and everything in between, Houzz connects millions of homeowners, home design enthusiasts and home improvement professionals across the country and around the world. With the largest residential design database in the world and a vibrant community empowered by technology, Houzz is the easiest way for people to find inspiration, get advice, buy products and hire the professionals they need to help turn their ideas into reality. Headquartered in Palo Alto, CA, Houzz also has international offices in London, Berlin, Sydney, Moscow and Tokyo. Houzz and the Houzz logo are registered trademarks of Houzz Inc. worldwide. For more information, visit

Luxury Kitchen Photography - A Bespoke Traditional Style Kitchen With Bags Of Character

Luxury Kitchen Photography - A Bespoke Traditional Style Kitchen With Bags Of Character

As part of the project the kitchen had been almost completely refitted with new flooring going in, whilst my client provided and fitted the kitchen cabinets and doors. These were of course bespoke to this space and their clients requirements.

Saltwick Bay, Whitby, North York Moors Landscape Photography Trip Report

In the middle of a cold December at the end of 2016, I thought it would be a good idea to travel out to the coast in search of some new scenes to photograph. The location I had in mind was the North Yorkshire coast, particularly Saltwick Bay in Whitby which runs along the edge of the North York Moors National Park.

Day 1 was reserved purely for travelling and scouting. I made my way over using public transport, taking in the increasingly beautiful scenery as I left West Yorkshire and started to head through the moors of North Yorkshire. I arrived in Whitby town centre and it was already starting to get dark so I immediately headed to Saltwick Bay to have a look around. The relatively short walk involved traversing up the famous 99 steps, past Whitby Abbey and on to the Cumberland Way. I walked at pace, eager to arrive at my location before it was too dark as I'd hoped to return later that night to shoot the moonrise and then once again for sunrise.

I arrived at the bay and there was just about enough light left for me to walk around and get a sense of the location, along with the relationship between it's main features - the Saltwick Nab and the Black Nab. I wasn't helped by the fact this bay faces North East, meaning that any light that did remain from the sunset was being blocked by the large cliffs that surround the bay. However, the time I spent there gave me a few ideas and I felt confident returning later that evening.

After very little sleep I headed back out to the bay just before 1am. The sky was clear and the stars were out in full force. As I arrived the moon was just peeking above the horizon so I set up my camera and shot a small time lapse whilst I monitored the tide. It was important to make sure the tide was on it's way out as I'd hoped to head out on to the rocky headland on the bay which is only accessible then.

As I was shooting the time lapse, although clear skies were forecast all night, I noticed some cloud start to move in from the west. I wanted the moon and stars to be visible in the image I had envisaged so this meant I had to cut the time lapse short and head down on to the beach to set up a composition. I had no time to get out on to the head land so I set up on the shoreline amidst some interesting rocks and pebbles. The cloud moved in very quick and had occluded the moon and most of the sky that was to be in my shot by the time I got down there and set up. This now presented a scene with a totally different feel, it had more atmosphere and mystery to it. The clouds weren't particularly thick so the moonlight was still casting subtle highlights across the rocks on the shoreline so I took the image.

Canon 6D + 24mm TS-E. 30 sec at f/3.5, ISO 3200. In hindsight, I feel this image told a more truer story of the event - mysterious, eerie and intense. 

Pleasantly surprised by what I saw on the cameras LCD, I packed up and headed back for another short nap.

After another short sleep I was up and out for sunrise. Again the forecast was for clear skies yet there were still a few lingering clouds which I had no complaints about. Arriving at the bay I knew where my first composition was to be due to my brief scout the night before, so I set up and waited for the sun. As the sun came closer to the horizon it lit the lingering clouds with a beautiful firey orange. This was exactly what I'd hoped for so I waited for the right wave, took the image and then moved to search for other compositions whilst the colour remained.

Canon 6D + 24mm TS-E. 1/5 sec at f/9, ISO 50. 2 degree tilt, 2 image vertical panorama using shift. Sky masked in from darker exposure. I should have used less tilt and a smaller aperture here but I think it still works. Didn't notice this till I got home.

Canon 6D + 24mm TS-E. 1/5 sec at f/9, ISO 50. 2 degree tilt, 2 image vertical panorama using shift. Sky masked in from darker exposure. I should have used less tilt and a smaller aperture here but I think it still works. Didn't notice this till I got home.

I took only a few steps back to find a very simple, yet pleasing composition. A lone rock, placed perfectly at the edge of the incoming tides reach. I dialled in my composition, focussed my lens and waited for the right wave. To my delight this happened almost immediately and I hit the shutter.

Canon 6D + 24mm TS-E. 1/10 sec at f/14, ISO 50. 1 degree tilt. Sky masked in from darker exposure. 

By this point, as anticipated, the golden sunlight had started to break in to the bay, illuminating the cliff tops at the North end. I walked up the beach looking for some foreground interest for which I could use the cliffs and the Saltwick Nab as a backdrop. I found an old, worn down groin by the waters edge. As the waves came in and out this created a nice leading line to the cliffs and rocks in the back ground so I set my composition and took the shot.

Canon 6D + 24mm TS-E. 1/4 sec at f/14, ISO 50. 1 degree tilt. Sky masked in from darker exposure. 

By this point I was more than happy, having ended up with not 1 but 3 images so I packed up and head back, for a well earned cup of tea.

After I'd had a rest and something to eat, the plan was to make my way down the Cumberland Way towards Ravenscar. I'd heard of an interesting rock formation call the 'Mermaid Tables' that I wanted to shoot around sunset. Unfortunately, upon checking my travel options I found there would have been no way for me to make my way back into Whitby for my train home so had to abandon this and decided I'd head back down to Saltwick Bay for sunset.

Arriving at the bay approximately an hour before sunset, I was disappointed to find a clear, featureless sky and lacklustre light. It was low tide so I took the opportunity to have a scout around on the headland. The Saltwick Nab looked imposing and really impressive from up close. There was definitely a composition to be had here but the conditions just were not up to it. I headed back to the beach and towards the other end of the bay to get a closer look at the Black Nab.

It was tough work navigating through and over large, wet boulders and I was tired, hungry and wet. I wanted to call it a day. I made sure that I stopped every now and again to look around me knowing that conditions can change fairly quickly at this time of the day. After about 10 minutes of clambering over wet rocks I stopped and noticed some cloud cover had come in over the Saltwick Nab where I'd just come from. The sun at this point was below the horizon and as a result was casting a lovely purple glow on to these clouds. I thought, this is it. If I'm going to get an image tonight this is my chance. I'd previously noticed a scarred shale shelf sticking out above the receding tide which created a leading line towards the Saltwick Nab. I knew this would make a great foreground so set up my composition and took the image.

Canon 6D + 24mm TS-E. 1 sec at f/9, ISO 50. 1 degree tilt.

Feeling incredibly satisfied with this result I decided to end my trip here and head back into Whitby to have some food and catch my train. Safe to say, however, if I'd have caved in and head back earlier, I would have likely missed this opportunity entirely. Yet again, proving that persistence in landscape photography, certainly pays.

Thank you for reading! I hope you have enjoyed this article and if you have any thoughts, feedback or comments feel free to put them down below. You can also watch the full video series of this trip either over on my YouTube channel or using the embedded video below.


YouTube Video Diaries

I've recently started a new series of vlogs, or video diaries of my experiences out in the field shooting landscapes. In these diaries I'm aiming to share with you the journey, story and experience behind the images I take. Going into my head with the thoughts, feelings and emotions felt when photographing, along with some thoughts on composition, preparation and anything else that may come out!

You can check out the first two videos below. If you like the videos, consider sharing them with your friends, subscribing and leaving me a rating.

A Little Staging Can Go A Long Way! Photographing A Contemporary Apartment In Leeds

I was recently approached by Mason & Vaughan Group in Manchester to shoot one of their apartments over here in Leeds. They wanted something a little above the usual as they were getting an interior designer (Michelle Mansfield) in to stage the property beforehand. 

The only things that were in the apartment prior to this arrangement were 2 black sofa's and nothing else. These can be seen in the below image. The rest of the apartment was very neutral and an empty carcass. As you can see from the below images, the additional touches Michelle made to the apartment really brought it to life. Granted, she brought in multiple pieces of furniture, but this was an extreme case. In most property sales you could get away with the little touches that really bring it to life.

Adding throw's to sofa's and bed's, books to side tables, flowers, setting the table and other accessories is what makes this. It looks lived in, but also very neat and together. Each piece fits together in the design of the room, while making the room look more attractive, warm and inviting. 

This helps the potential buyer picture themselves in the home and gives them ideas as to what the home can do for them. It also makes the images stand out on the listing and attract more interest.

It also makes for a fantastic subject to photograph, giving interest from a number of angles. This helped us capture the entire apartment without having any empty and uninteresting photographs.

What do you think? From zero to hero? Or a waste of time?

Photographing Curtain Walling & Contemporary Architectural Design Exteriors at Leeds College Of Building

I recently had the opportunity to photograph the brand new Leeds College Of Building premises in Leeds City Centre. I worked with Metal Technology to show off the curtain walling solutions they had provided for the build.

The feature that struck me first about this building was the deep, green exterior window reveals. These greatly contrasted the red brick that made up the majority of the exterior. This along with the other variations made on the dimensions of the windows around the building, made for a great subject to photograph.

The building was split in to two distinct sections - the main 'sit down' learning and office environment which is characterised by the red brick and green reveals and the workshop area which is seen coming in to frame to the left below, where a dark grey brick is used along the South West side, while the North East side is covered in translucent walling panels. 

The building also uses a traditional industrial roof line which fits the area and purpose of the building, while being distinctive.

The building also uses a traditional industrial roof line which fits the area and purpose of the building, while being distinctive.

Blog Update: I'm Back!

Blog Update: I'm Back!

It's been a very busy few months for me and thus I've struggled to make the time to keep this blog up to date. I've had the opportunity to shoot in Tuscany, Italy along with trekking through the alps for 4 days and been up and down the country shooting architecture.

Property Photography Before & After

Property Photography Before & After

Though now becoming less common, in the past estate agents have been known to produce some pretty poor photography for their property listings. Whether it's wonky composition, exposing for the windows leaving a dark and dingy interior, lack of depth or an ultra wide angle resulting in an unnatural view of the space, it's not flattering to the property and space and could either turn off potential buyers from enquiring further or they could feel deceived when it comes to viewing the property.

Preparing Your Home For A Photo Shoot

Preparing Your Home For A Photo Shoot

Shooting A Twilight Exterior At Airedale Mills, Bingley

Shooting A Twilight Exterior At Airedale Mills, Bingley


In Plain English - Photography Quotations & Invoices

In Plain English - Photography Quotations & Invoices

When receiving a quotation or invoice from a photographer, if you are new to the industry or process or even well versed in the business of photography you may come across certain terminology that you do not fully understand or that makes no sense to you whatsoever. I like to be as verbose as possible on the estimate and/or invoice to ensure nothing is lost in translation, but in some cases when dealing with multiple or large/complex projects, in order to make the estimate/invoice clean and easy to read for all parties that it may pass through, this is not possible. This article aims to explain to you in plain English what some of the more common terminology means and how it can be used

Shooting Restaurant & Bar Interiors at 7 Steps, Pudsey - Ambience!

Shooting Restaurant & Bar Interiors at 7 Steps, Pudsey - Ambience!

I recently completed a project for 7 Steps Bar & Eatery in my local town of Pudsey, Leeds. Locally renowned owner, Neil, had me in to photograph their brand new venue to show off the ambient feel of the interior while highlighting the fresh, rustic yet cosy design.

Why Choose a Professional Architectural & Interiors Photographer in 2016

Why Choose a Professional Architectural & Interiors Photographer in 2016

So, your most recent project may be about to complete, you're planning your budget for the next or you're looking to put some real estate on the market and it comes to thinking about how you share the space with the public. You might think - how hard can it be to take a picture of a inanimate object?

Shooting The Most Sustainable Student Accommodation in The World

Everything was working in my favour for this shoot. The weather turned out for me giving me a nice spread of puffy white clouds and deep blue sky. I arrived on time to make sure the sunlight was at the right spot for the image and shot a few brackets. For one of the compositions, a lady also conveniently walked past my camera right on cue  to add some foreground interest and motion to the frame

Shooting Modern Office Interior Design With A Twist in Stockton-on-Tees

Shooting Modern Office Interior Design With A Twist in Stockton-on-Tees

Back in October, I had the pleasure yet again, to work with one of my favourite clients, Dale Office Interiors, photographing a complete fit out they had finished just days before for rapidly expanding e-commerce experts Visualsoft. I had a really great time shooting this office, the interior design was bright and lively yet modern and functional, a great reflection of the warm and welcoming Visualsoft team. The design seemed a perfect fit for them, as the staff arrived for the day, you really feel a buzz about the place and I feel this design plays a big part in this.

My Favourite Shots Of 2015

My Favourite Shots Of 2015

As 2015 comes to a close, I wanted to take a moment and share a look back on my photography of the last year.

Egyptian Sunrise - Tales of Landscape Photography in Egypt

Egyptian Sunrise - Tales of Landscape Photography in Egypt

After a long day of lazing around on the Egyptian coast, recovering from the previous days excursion to Cairo I spotted this group of rocks on an eastward facing beach that seemed to form a very pleasing arrangement. I knew immediately I wanted to return the following morning with my camera to shoot the sunrise.